“And what’s the use of talking, if you already know that others don’t feel what you feel?”— Louise Bourgeois, Destruction of the Father / Reconstruction of the Father: Writings and Interviews, 1923-1997 (via novr)
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“And what’s the use of talking, if you already know that others don’t feel what you feel?”— Louise Bourgeois, Destruction of the Father / Reconstruction of the Father: Writings and Interviews, 1923-1997 (via novr)
Four Apricots on a Stone Plinth by Adriaen Coorte, 1698, Museum of the Netherlands
Coorte portrayed fruit with the precision of a scientist. By isolating it, it is as if he wanted to get to the very essence of a peach or a gooseberry. Although these four paintings were not conceived as a series, they have formed an ensemble since the second half of the 18th century.
September, the month of new beginnings, new hopes and old dreams
i went to the gym today and there was a guy going to TOWN on the punching bags so i asked him “rough night?” and he said “my wife’s on a business trip and i miss her” and if that isnt the most steve rogers thing in the world idk what is
I don’t know, my favorite was always witch weather. That moment that in a gust of wind or in the rumbling sky or at the edge of a fog bank where suddenly, you feel different. A restlessness, a sense of longing for a place that does not exist. I don’t know if anyone else has felt the electric tense changing of that moment. It calls the magic to your skin. For a moment, you feel ancient and powerful and lonely, as if you forgot something important. Witch weather. For some reason, in that wild instant: you remember you are alive, and that means some part of you belongs to the everlasting.